George M. Wilson


  PICTURE

 Professor
 School of Philosophy
 University of Southern California
 3709 Trousdale Parkway
 Los Angeles, California 90089-0451

 Email:  gmwilson at usc dot edu 
 Phone:
 213 821 4116
 Office: Stonier 113


 Current CV in Word format
Professional Information

Interests: Aesthetics (especially Film Aesthetics), Theory of Action, Wittgenstein, Philosophy of Language

In Film Aesthetics, I have been especially interested in how we should understand what it is that is most distinctive and important about the audio/visual narration of stories in the cinema. I have also done a fair amount of interpretive work on individual movies, and I am concerned with the functions and strategies of responsible interpretation in Film Studies. In the Theory of Action, I have written on the nature of intentional action, the special character of reason explanations of action, and the basis of the direct and normally authoritative knowledge that we have our own actions. My work on Wittgenstein has chiefly dealt with 'the rule-following considerations' and, more specifically, with Kripke's famous reconstruction of them.

Current Courses

 Recent and Forthcoming Articles

1. "Meaning, Rule-following, and Normativity." For the Oxford Handbook of the Philosophy of Language, Ernie LePore and Barry Smith (eds.), Oxford University Press.
2. "Is Kripke's Wittgenstein a Temporal Externalist?" For Meaning Across Time, Tom Stoneham (ed.), Oxford: Oxford University Press, 2008
3. "On the Skepticism About Rule-Following in Kripke's Wittgenstein." For The Cambridge Companion to Kripke, Alan Berger (ed.), Cambridge University Press.
4. "Elusive Narrators in Film and Literature." For a forthcoming issue of Philosophical Studies -- a special number on Aesthetics derived from the 2006 Oberlin Colloquium, Katherine Thomson-Jones (ed.)
5. "Rapport, Rupture, and Rape: Reflections on Talk to Her." For a volume devoted to Almodovar's movie Talk to Her, Anne Wescott Eaton (ed.), Routledge Publishing.
6. "Love and Bullshit in Santa Rosa:  On the Coen Brothers' The Man Who Wasn't There." For a session of the Working Group on Philosophy, Film, and Fiction at the University of North Carolina, Chapel Hill.