A
GUIDE FOR ANALYZING FILM
Let us begin to ask various questions of
film, such as:
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Is there a larger theme or cultural worldview
inherent in the film?
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How is this theme(s) or worldview(s) expressed?
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What types of “voices” are used in the film?
Is there a match between the speaker who you see and the voice associated/assigned
to him/her? Are voices manipulated – how and for what purpose?
-
What genre/type of film is this (e.g., ethnographic,
educational, popular/feature, documentary)?
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What cinematic strategies are used to reinforce
particular themes or messages? (e.g., lighting, montages, creative “cuts”,
etc.)
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What images or symbols are employed in the
film? Are these symbols presented strategically? If so, how?
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Is there a narrator? What is the narrator’s
primary function in the film?
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Are the voices of the narrator and the people
filmed on equal par? To what degree is intersubjective nature of
film/filmmaking apparent in the final product?
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Who are the major characters in the film?
Are women visible in the film?
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Whose perspective(s) guides the film?
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Does the film rekindle any thoughts in regard
to the politics of representation?
-
Might stereotypes be challenged or reinforced
in the film?
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Does the film represent some aspect of culture
using a cultural relativistic framework?
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Are power relations between filmmaker and
those filmed apparent in the video?
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How “real” is this film? Does it seem
more like a highly edited production (as are all texts) or less-produced/ethnographic?
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Is the focus of the film properly contextualized?
How so? How might the film be better contextualized (historically, socio-culturally,
politically, etc.)?