General
Sun, Shao-yi. "Women
and the Labyrinth of History: Reflections on The Soong Sisters."
Cinedossier: The 34th Golden Horse Award-Winning Films.
Taipei: Taiwan, 1998.
Sun, Shao-yi. "Global
Image Consumption and Chinese Cinema: Random Thoughts on Xiu
Xiu-The Sent-Down Girl." Cinedossier: The 35th Golden
Horse Award-Winning Films. Taipei: Taiwan, 1999.
Articles
on Pre-1949 Chinese
Cinema
Barme, Geremie. "Shi
Hui: A Profile." Chinese Literature, Aug. 1983:96-104.
Berry, Chris. "Poisonous
Weeds or National Treasures: Chinese Left Cinema in the 1930s."
Jump Cut 34 (1989):87-94.
Chen, Zhaoyu. "Film
Actress Bai Yang." Chinese Literature 4 (1985):202-206.
Kingman, Spencer. "China's
First Moving Pictures." Asia May 1933:278-279.
Lee, Leo Ou-fan. "The
Tradition of Modern Chinese Cinema: Some Preliminary Explorations
and Hypotheses." In Perspectives on Chinese Cinema,
6-20.
---. "Leftist Cinema
of the 30s." Cinemaya 2 (1988-89): 28-29.
Li, Cheuk-to. "Eight
Films of Sun Yu: A Gentle Discourse on a Genius." Cinemaya
11 (1991):53-63.
Ma, Ning. "The Textual
and Critical Difference of Being Radical: Reconstructing Chinese
Leftist Films of the 1930s." Wide
Angle 11.2 (1989): 22-31.
"The Passing of a
Brilliant Star." Beijing Review 10 Nov. 1980:28-29.
Pickowicz, Paul G. "Melodramatic
Representation and the 'May Fourth' Tradition of Chinese Cinema."
In Widmer (1993).
---. "The Theme of
Spiritual Pollution in Chinese Films of the 1930s." Modern
China 17.1 (1991): 38-75.
Sun, Shao-yi. "Urban
Space and Chinese Nationalism: Re-reading Chinese Leftist Films
of the 1930s." Paper presented at
"The 1995 Annual Meeting of the Western Conference of the
Association for Asian Studies."
Sun, Shao-yi. "Haipai
and Chinese Nationalism: Re-Considering Shanghai as a Cultural
Space." Paper presented at "The 48th Annual Meeting
of the Association for Asian Studies;" April of 1996, Honolulu,
Hawaii.
Toroptsev, Sergei. "Xia
Yan and the Chinese Cinema." Far Eastern Affairs
4 (1985):126-31.
Wilson, Patricia. "The
Founding of the Northeast Film Studio 1946-1949." Semsel
(Chinese Film), 15-33.
---. "... I Sought
the Jewel of Art." Chinese Literature April 1980:73-92.
Info. about Zhao Dan.
Articles
on the Fifth Generation Filmmakers
Austin, Bill. "Chen
Kaige's Talent Confirmed by King of the Children." China
Screen 1989:1.
Berry, Chris. "Market
Forces: China's 'Fifth Generation' Faces the Bottom Line."
Continuum 2.1 (1988-89):106-27.
---. "A Nation T(w/o)o:
Chinese Cinema(s) and Nationhood(s)." East-West Film
Journal 7.1 (1993): 24-51.
---. "Zhang Yimou:
Film Maker with the Golden Touch." China Reconstructs
May 1988:13-17.
Callahan, W.A. "Gender,
Ideology, Nation: Ju Dou in the Cultural Politics of China."
East-West Film Journal 7.1 (1993):52-80.
Chen, Kaige. "Breaking
the Circle: The Cinema and Cultural Change in China." Cineaste
17.3 (1990):28-31.
Chow, Rey. "Male Narcissism
and National Culture: Subjectivity in Chen Kaige's King of the
Children." Camera Obscura 25-26 (1991): 9-41.
---. "Silent Is the
Ancient Plain: Music, Filmmaking, and the Conception of Reform
in China's New Cinema." Discourse
12.2 (1990):82-109.
Clark, Paul. "Reinventing
China: The Fifth-Generation Filmmakers." Modern Chinese
Literature 5 (1989): 121-36.
Cohen, Joan Lebold. "The
Fifth Generation." Attention (HK) July-Aug. 1988:88-93.
Croizier, Ralph. "'Going
to the World': Art and Culture on the Cosmopolitan Tide. China
Briefing 1989.
Farquhar, Mary Ann. "The
'Hidden' Gender in Yellow Earth." Screen 33 (1992):154-64.
Faubel, Jeffrey. "Cultural
Introspection in Chinese Cinema: The Fifth Generation of Chinese
Filmmakers." M.A. thesis,
Indiana Univ., 1990.
"Fifth-Generation
Excitement." Asiaweek 10 May 1987:47.
Gladney, Dru C. Tian Zhuangzhuang:
the Fifth Generation, and Minorities Film in China." Public
Culture 8 (1995):161-75.
Hitchcock, Peter. "The
Aesthetics of Alienation, or China's 'Fifth Generation'."
Cultural Studies (London) 6 (1992):116-41.
Jaivin, Linda. "Who
Owns Chen Kaige?" Quadrant Aug. 1987:15-17.
Kaplan, E. Ann. "Melodrama/Subjectivity/Ideology:
The Relevance of Western Melodrama Theories to Recent Chinese
Cinema." East-West Film Journal 5.1 (1991):6-27.
---. "Problematising
Cross-Cultural Analysis: The Case of Women in the Recent Chinese
Cinema." Wide Angle 11.2
(1989):40-50.
Keyser, Anne Sytske. "Chinese
Films at the 1992 Rotterdam Film Festival: On Chen Kaige, Zhang
Yimou and More." China Info. 6.4 (1992):19-31.
Lau, Jenny Kwok Wah. "Judou:
A Hermeneutical Reading of Cross-Cultural Cinema." Film
Quarterly 45.2 (1991-92): 2-10.
Li, H. C. "Color,
Character, and Culture: On Yellow Earth, Black Cannon Incident,
and Red Sorghum." Modern Chinese
Literature 5 (1989):91-119.
Li, Li. "The Red Sorghum
Phenomenon." Beijing Review 17 October 1988:4.
Li, Wenbin. "The Film
Red Sorghum." China Reconstructs July 1988:20-22.
Luo, Xueying. "The
Ambitions of Zhang Yimou." Chinese Literature 4 (1990):168-76.
Ma, Ning. "New Chinese
Cinema: A Critical Account of the Fifth Generation." Cinemaya
2 (1988-89):21-27.
---. "Symbolic Representation
and Symbolic Violence: Chinese Family Melodrama of the Early
1980s." East-West Film
Journal 4.1(1989):79-112.
"The Magic Act of
Zhang Yimou." Asiaweek 29 May 1992:58.
"Mixing Memory and
Desire: Red Sorghum: A Chinese Version of Masculinity and Femininity."
Public Culture, 2, no.1 (Fall 1989):31-53.
O'Brien, Geoffrey. "Blazing
Passions." New York Review of Books 24 Sept. 1992:
38-43.
Pan, Lynn. "Red Star
of China." Good Weekend (Sydney) 25 July 1992:22-25.
Rayns, Tony. "The
Fifth Generation: A New Cinema in China." Monthly Film
Bulletin Oct. 1986:296-98.
---. "The Sun and
the Rain: The Next Stage for China's Fifth Generation."
Monthly Film Bulletin Mar. 1988:69-71.
---. "Life on a String."
Sight and Sound March (1992):36-37.
Reynaud, Berenice. "China:
On the Set with Zhang Yimou." Sight and Sound July
1991:26-28.
"A Scattered and Shattered
Fifth Generation." Filmnews (Sydney) Aug. 1989:9.
Shao, Mujun. "Notes
on Red Sorghum." Chinese Literature 1 (1989):172-80.
Stanbrook, Alan. "The
Flowers in China's Courtyard." Sight and Sound Summer
(1987) :183-7.
Sutton, Donald S. "Ritual,
History, and the Films of Zhang Yimou." East-West Film
Journal 8:2 (1994).
Tian, Zhuangzhuang. "Reflections."
Cinemaya 5 (1989): 14-18.
"Two from China's
Fifth Generation." Continuum, 2, no.1 (1988-9).
Wang, Yuejin. "The
Cinematic Other and the Cultural Self? De-Centering the CUltural
Identity on Cinema." Wide Angle
11.2 (1989): 32-39.
---. "Red Sorghum:
Mixing Memory and Desire." Public Culture 2.1 (1989):31-53.
"A Winter of Discontent."
Asiaweek 21 Sept. 1990:34.
Yau, Esther C. M. "Yellow
Earth: Western Analysis and a Non-Western Text." Film
Quarterly 41.2 (1987-88):22-33.
---. "International
Fantasy and the 'New Chinese Cinema.'" Quarterly Review
of Film and Video, 14, no.3 (1993):95-107.
"Yellow Earth: An
Unwelcome Guest." Seeds of Fire: Chinese Voices of Conscience.
New York: Farrar, 1988.
Zha, Jianying. "Chen
Kaige and the Shadows of the Revolution." Sight and Sound
Feb. 1994:28-36.
Zhang, Jiaxuan. "The
Big Parade." Film Quarterly, 43, no.1 (Fall 1989):57-9.
Zhang, Yingjin. "Ideology
of the Body in Red Sorghum: National Allegory, National Roots,
and Third Cinema." East-West
Film Journal 4.2 (1990):38-53.
Articles
on Chinese "Urban Cinema"
Barme, Geremie. "Wang
Shuo and Liu Mang (Hooligan) Culture." The Australian
Journal of Chinese Affairs July 1992, 28:21-64.
Berry, Chris. "Chinese
Urban Cinema: Hyper-Realism Versus Absurdism." East-West
Film Journal 3.1 (1988):76-87.
Chute, David. "Beyond
the Law." Film Comment. Jan-Feb., 1994:60-2.
Dai, Jinghua. "Ideology,
Wang Shuo, 1988". China Screen, 1989:4.
Hong, Lanxing. "International
Award for Chinese Film." Beijing Review 9 Apr. 1990:32-33.
Hu, Jieqing. "On Screen:
Lao She's Teahouse and Camel Xiangzi." China Reconstructs
May 1983:4-8.
Mallow, Suni. "Peking
Encounter." Filmmakers Monthly Oct. 1981:12-17.
Pickowicz, Paul G. "Urban
Identities and the Political Economy of Chinese Filmmaking."
In Deborah Davis, et. al. Urban Spaces: Autonomy and Community
in Contemporary China. (Forthcoming)
Pinsky, Mark I. "China's
Urban Intellectuals: Entering Middle Age." Jump Cut
31 (1986):54.
Shao, Mujun. Why Did a
Wang Shuo Cinema Craze Occur?" China Screen 1989:4.
Tang, Xiaobing. "Configuring
the Modern Space: Cinematic Representation of Beijing and Its
Politics." East-West Film
Journal 8:2 (1994): 47-69.
Wang, Yuejin. "The
Rhetoric of Mirror, Shadow, and Moon: Samsara and the Problem
of Representation of Self in China." East-West Film Journal
5.2 (1991):69-92.
Yang, Quan. "The New
Feature Film Rickshaw Boy." Chinese Literature July
1983:118-23.
Zhang, Baiqing. "Rural
and Urban China in the 1980s: Two Prize-Winning Films."
Chinese Literature 4 (1984):212-14.
